ELVIS' MUSICIANS: SCOTTY MOORE

Winfield Scott "Scotty" Moore III was born in December 27th, 1931.

He is a member of the Rock n' Roll Hall of Fame and for his pioneering contribution, Moore has been recognized by the Rockabilly Hall of Fame in 2000.

Known for his work with Elvis in the first part of his career, from 1954 to 1958, Scotty Moore learned to play the guitar at eight years of age from family and friends .His early background was in Jazz and country music.

Scotty led a group called the "Starlite Wranglers" before Sam Phillips at Sun Records put him together with young Elvis Presley.

Phillips believed that Moore's lead guitar and Bill Black was all that was needed to augment Presley's rhythm guitar and lead vocals on their recordings.

In 1954 Moore and Black accompanied Elvis on what was going to be the first legendary Presley hit: "That's All Right Mama".

Elvis, Black and Scotty Moore then formed the "Blue Moon Boys". They were later joined by drummer D.J. Fontana.

Beginning in July of 1954, the "Blue Moon Boys" toured throughout the American South and as Presley's popularity rose, they toured the United States and made appearances in various television shows and movies.

July 12, 1954: Scotty becomes Elvis’ first manager with the signing of a contract that also bore the signatures of Elvis’s parents.

Moore played on many of Presley's most famous recordings including "Good Rockin' Tonight", "Baby Let's Play House", "Heartbreak Hotel", "Mystery Train", "Hound Dog", "Too Much" and "Jailhouse Rock".

Scotty is given credit as the pioneer of the rock 'n' roll lead guitarist. Most popular guitarists cite Moore as the performer that brought the lead guitarist to a dominant role in a rock 'n' roll band.

Moore, being quite introverted on stage, accomplished this almost exclusively through his performance and interpretation of the music.

In the 1960s, Moore released a solo album called The Guitar That Changed the World.

He moved to Nashville in 1964. In addition to working as an engineer and session musician, he played on many of Presley’s Nashville sessions at RCA’s Studio B. Moore set up his own Nashville studio, Music City Records, in 1966.

Moore and Fontana rejoined Presley for the televised 1968 “comeback special” (bassist Black had died in 1965).

While with Presley, Moore initially played a Gibson ES-295, before switching to a Gibson L5 and subsequently a Gibson Super 400.

http://en.wikipedia.org/wiki/Main_Page

ELVIS' MUSICIANS: BILL BLACK

William Patton "Bill" Black, Jr. (September 17, 1926 – October 21st, 1965).

Elvis Presley's bassist.('slapped/rockabilly' upright double)

Born in Memphis, Tennesse, Bill recorded "That's all right"with Elvis and Scotty in a Sun Records Studio session in Memphis. That is considered a seminal event in the history of Rock N Roll.

Bill Black became one of the first bass players to use the Fender Precision Bass Guitar in the late 1950s.

Bill, Scotty, Elvis and drummer D.J. Fontana toured extensively during Presley's early career.

Bill was an extrovert and often "clowned" and did comedy during the shows. He and Elvis had a couple of comedy routines together that they would slip into the show from time to time. Bill's on stage personality was a big contrast to the introverted stage presence of Scotty Moore. This balance seemed to be the perfect fit for the Elvis performances.

Elvis' unusual and very active stage presence was not always easily accepted in the 50's. Bill's comedic personality would often relax the audience and win them over to their side.

Black worked with Elvis until 1958, leaving his band in large part due to disputes over financial terms.

Although guitarist Scotty Moore would eventually work with Elvis again, Bill never did, joining a Memphis group that evolved into Bill Black's Combo in 1959. Their instrumental "Smokie," released late that year, made the Top Ten.

Black died of a brain tumor in 1965 at the age of thirty-nine and is buried in Forest Hill Cemetery in Memphis.

Elvis received criticism for not attending his funeral; however Elvis believed that his presence would turn the funeral into a media frenzy. He decided instead to visit the family privately after the service to express his condolences.

Bill Black's bass is today owned by ex-Beatle Paul McCartney who received the bass as a birthday present from his late wife Linda McCartney in the late 70's. The bass can be seen in the video clip to McCartney's song "Baby's Request". In the documentary film "The world tonight" Paul McCartney can be seen playing the bass and singing his version of "Heartbreak Hotel".

source;http://wikipedia.org/

When Elvis met Nixon

There is no doubt that one of the strangest event in Elvis’ life happened on December 21, 1970.

December 20th, 1970, Elvis, bored with his confined existence in Graceland, decided to leave his home, on his own for the first time since 1956.

He went to the Memphis International airport, something he had never done before, bought a ticket under the name of John Burrows and boards a commercial flight to Washington D.C

After checking into the Washington Hotel he left almost immediately and took the next flight to Los Angeles where he met up with Jerry Schilling.

Elvis admired law enforcement officers and collected badges of police departments he visited and he had hundreds of them.

Three weeks earlier, he had spoken in Palm Springs, CA with Spiro Agnew, the Vice President of the United States and had come away with a burning desire to fight the drug culture, hippies, the SDS, and the Blank Panthers. He became inflamed with the desire to be deputized by the federal Bureau of Narcotics and Dangersous Drugs (BNDD).

He asked Schilling to join him on a quick trip to Washington without giving many details about the reason of this trip. Bodyguard Sonny West would fly in from Memphis to meet them. Elvis asked Schilling to take out some cash, approx $500.00 for the trip cause he had left Graceland with only $20.00 and a credit card.

Elvis ended up giving away the money to a soldier returning from service in Vietnam.

Schilling said to Elvis, "That's all the money we got!"
Elvis replied, "I said give the man the money."

Elvis went back to his seat and started to write a strange letter to President Nixon on American Airlines sheets, asking Nixon for a small favor. ( see the letter at the bottom of this page )

Upon their arrival in Washington on the morning of December 21, 1970, Elvis and Schilling got off the plane, met Sonny West and took a limo to the Washington Hotel where they got rooms 505-506 & 507 registered under the names of Jerry Schilling, Sonny West, and Jon Burrows.

Right after breakfast, the trio set out to visit the White House.Elvis got out of the limo and simply walked up to the White House gates and handed the guard a 5-page letter addressed to President Richard Nixon.

Elvis asked to meet with the President although he had no appointment, and Nixon didn't even know he was coming.
Then he left to wait for an answer in his hotel room. Elvis could not wait for the answer.

He went off and asked for a meeting with the director of the BNDD to seek a badge. He instead met with BNDD deputy director John Finlator, who refused Elvis' request.

Meanwhile, at the White House, Nixon’s aides read Elvis’ letter, and thought it might not be such a bad idea to get photographs of the President meeting with the legendary King of Rock and Roll. “The President will see Mr. Presley for 20 minutes”.

In the hotel room, Schilling received a call inviting Elvis to the White House for a meeting with the president.

Elvis, Sonny and Jerry quickly went to the White House. The guns Presley had brought including the one he brought as a gift for Nixon had to be left at the gate.

At 12:30, Elvis was taken into the Oval Office. He was wearing a black suede suit, a white shirt with a high collar open to the chest, a dark purple cloak around his shoulders, a gold-plated belt and black leather boots.

He carried a cane, and wore amber-tinted sunglasses to cover his eyes, which were covered in heavy eye shadow and mascara. "He had on more mascara than the Avon Lady," recalls Marty Lacker.

When Elvis entered the Oval Office, Krogh recalls, he froze.

Elvis showed Nixon some pictures of his wife, Priscilla, and Lisa Marie, his law enforcement paraphernalia including badges from police departments in California, Colorado and Tennessee.

Presley kept repeating that he wanted to be helpful, that he wanted to restore some respect for the flag, which was being lost. He mentioned he was just a poor boy from Tennessee who had gotten a lot from his country, which in some way he wanted to repay.

The President mentioned that he thought Presley could reach young people, and that it was important for Presley to retain his credibility. Presley responded that he did his thing by singing. He said he could not get to the kids if he made a speech on stage, that he had to reach them in his own way. The President nodded agreement.

Presley indicated that he thought the Beatles had been a real force for anti-American spirit. He said that the Beatles came to this country, made their money, and then returned to England where they promoted an anti-American theme. The President nodded in agreement and expressed some surprise. The President then indicated that those who use drugs are also those in the vanguard of anti-American protest. Violence, drug usage, dissent, protest all seem to merge in generally the same group of young people.

He also mentioned that he is studying Communist brainwashing and the drug culture for over ten years. He mentioned that he knew a lot about this and was accepted by the hippies. He said he could go right into a group of young people or hippies and be accepted which he felt could be helpful to him in his drug drive.

After some small talk, Elvis got down to business. "Mr. President, can you get me a badge from the Narcotics Bureau at large? Nixon nodded and said, “I’d like to do that, but I don’t know if we have such a thing”. Nixon told Krogh that he would like Elvis to receive a badge. “See if it’s possible that he gets one.”

Nixon patted Elvis on the shoulder and told him, “Well, I appreciate your willingness to help us out, Mr. Presley.”

Elvis was smiling triumphantly. "Thank you very much, sir. This means a lot to me."...Elvis then moved up

close to the President and, in a spontanous gesture, put his left arm around him and hugged him.

Nixon opened the left-hand drawer of his desk, which was where he kept gifts for visitors. Elvis could see the drawer held some Presidential tie clasps for men, and Presidential pendants for women.

Not done yet, Elvis asked the president if he would see his friends Schilling and West: "It would mean a lot to them and to me." Schilling and West were ushered into the Oval Office. Nixon gave them the same tie clasps and cuff links with presidential seals that he had already given Elvis.

Elvis prompted Nixon: "You know, they've got wives too." Elvis and Nixon then rummaged through Nixon's desk for suitable presents for the wives.

After lunch in the White House mess and a tour of the White House, Elvis was presented with the BNDD badge by Finlator.

Elvis presented Nixon with a commemorative World War II-era Colt .45 pistol.

They took a series of formal pictures.

“Now I know why they call you Tricky Dicky,” Elvis said to the President jokingly.

Nixon, unshaken, shot back. “And now I know why they call you Elvis the Pelvis!”Regarding Elvis’ theatrical get-up.

Nixon told Presley, “You dress kind of strange, don’t you.”

Laughing, Elvis gave a classic reply. “Well, Mr. President, you got your show, and I got mine.”

Elvis, Sonny and Jerry left the White House and flew out of town without ever checking out of their hotel.

Elvis had recently gotten several death threats, and become obsessed about carrying a gun everywhere with him.

He wanted to be declared a Federal Agent so he and his bodyguards could legally carry small arms in every state in America. Nixon’s badge allowed them to do just that. Now, Elvis was legally empowered to protect himself, and carry on the fight for justice and "respecting the flag".

The Memphis Mafia all carried guns, too. Excessive drug use had made Elvis irrational and paranoid, and he kept saying he wouldn’t go anywhere without a gun.

Elvis usually kept a derringer in his boot, and carried another gun in his pocket. Sometimes two!

Elvis bought almost $20,000 worth of hand guns in 1970.

If you want to know more, you got to see the movie " ELVIS MEETS NIXON"!!!

Special thanks to:

http://www.archives.gov/exhibits/nixon-met-elvis/

http://www.dialbforblog.com/archives/88/

http://www.cnn.com

After Scotty, there was...Walter Louis Garland

Born in 1930, Garland first strummed a used Encore steel-string at age 6 and quickly proved himself a natural.
He played, toured and recorded with Elvis Presley from 1957 to 1961.

Garland versatility and ability to work up song arrangements may have helped to bring him and Elvis Presley together in the studio in 1957, while Elvis was on leave from the Army.

Although Scotty Moore had played regularly with Elvis since 1954, he was now working with him on a per-job basis. Elvis was beginning to expand his musical range, adding more pop-oriented numbers to his repertoire. Though most of his tunes still rocked, it was obvious that he was trying to appeal to a wider audience.

Garland got the call on a number of sessions with Elvis from 1957 to 1961, playing on songs such as "Little Sister," "I Need Your Love Tonight", "Big Hunk of Love" "I Got Stung," "A Fool Such As l," "Stuck On You" (which had Hank on 6-string bass), "It's Now Or Never," "Are You Lonesome Tonight," "Surrender, "and “I Feel So Bad," He also picked guitar on Elvis' "His Hand In Mine" LP.

(On recording with Elvis) Mr Garland said: "Real nice. He never got upset about anything. You hear a lot of people talk about him, saying 'Elvis did this' and 'Elvis did bad' in record sessions, but that's all junk! He never did. He ran in and sang what he was supposed to sing, and afterwards he shook hands with everybody and said thanks."

Hank was also part of Elvis' March 25, 1961, Benefit show in Honolulu, which was Presley's last live performance for eight years. Garland was featured prominently, and when Elvis introduced the band, everyone got a routine intro while Hank was referred to as "one of the finest guitar players anywhere in the country today."

Garland was playing on the soundtrack for the movie "Follow That Dream" when his 1959 Chevy Nomad station wagon crashed near Springfield, Tenn., throwing Garland from the car and leaving him in a coma for months. A suspicious career ending accident that almost killed him and ended his brilliant music career. His brother claims it was no accident, but an attempted hit by someone in the Nashville record scene.

Hank Garland underwent a series of shock treatments. He had to learn to walk, talk and how to play the guitar again. He recovered to an extent but was in poor health and lost a lot of his aggressiveness. He was not able to perform again professionally.

Hank Garland died at a medical center in Orange Park, Florida on December 27, 2004 at age 74.

THE DAY ELVIS DIED

I was 11 years old the day Elvis died, August 16th, 1977. It was a warm and sunny day.

I was trying to install a little am-fm radio on my bicycle…lol..when my mother got out of the house and told me Elvis was dead.

I was not an Elvis fan at the time. In fact I barely knew Elvis. I knew him mostly as an actor. There was Elvis movies on T.V on a regular basis and my aunts used to watched them and told me about Elvis, about the fifties, the way Elvis moved on stage back then. They were also showing me recent pictures of the King, I could see the man was in bad shape and that he didn’t look like the Elvis I knew from the movies.

My mother had one Elvis record, a single with on one side, Kiss me quick and on the other, Suspicion that I used to listen once in a while as part of other records she had.

When she told me Elvis died, I got into the house and listened to this record.

The T.V was on and I remember there was a special report about the sudden death of Elvis.

The next day, my mother and I went to the grocery store and I saw a newspaper, a special edition about Elvis. She bought it so I spent a couple of days reading about Elvis’s life.

A few days later, she bought another newspaper and a magazine..and later during the week…another one.. and another one..lol.

A couple of weeks later my family and I went shopping in a little town nearby. In a general store, I saw this greatest hits album “ Elvis, les 40 plus grands succès”. I wanted it so bad..lol so.. my mother bought it and…that day…that day…I became an Elvis fan… forever...

-ELVIS..THE END IS NEAR..? MAY 29th 1977

Baltimore May 29 1977 represents one of the absolute low-points in Elvis' career.We all know that Elvis wasn't in his prime in 1977, but springtime was nothing but a disaster at every points. His way of life, the prescription drugs abuse on a daily basis and his loneliness. Ginger Alden who seems to not be the right person on the right place at the right time, the one-nighters one after the other, not to forget the press which has really begun to attack Elvis in a way they never did earlier. And of course the tell-all book of the bodyguards, which is supposed to wake him up... That's a lot of pressure, a lot of problems, which drive to this result: a complete fiasco in Baltimore, May 29th 1977.

This day Elvis is so weak he has to leave the stage for over 20 minutes.
From the beginning of the show, things seem to be on the edge, but no sign for an abysmal show yet: Elvis try to do his best, and we can clearly FEEL a change from the moment he sings the third number: 'That's All Right'.

From then on, things go slightly out of control: even with the sound distortions, we can hear his voice expressing a severe distress, long moments where nothing is said, the crowd screaming to Elvis. When Elvis talks, it seems like he has something in his mouth, like he's eating. His sentences are never finished, he sounds lost and, to be honest, really stone on a strong degree.
He first sings a lot of old songs in the beginning of the concert ('That's Alright', 'Are You Lonesome Tonight', 'Blue Christmas' and 'Heartbreak Hotel', 'Love Me' and 'Jailhouse Rock'). Then right after 'You Gave Me A Mountain' Elvis asks S. Nielsen to sing some numbers. Obviously not enough, Elvis after singing 'Teddy Bear/Don't Be Cruel' "hands over" the responsibility to the band. He then leaves the stage. Meanwhile Kathy Westmoreland, Voice and the Stamps all did their best to entertain a dismayed audience. This concert was released on a rather poor sounding bootleg called Send Me The Light... I Need It Bad.

When he comes back after leaving the stage for nearly 30 minutes, he sounds much clearer. But not for long!

First excusing his absence, he then says that he had to leave because of an acing ankle "and nature cause...and you can do nothing about the nature..." A shocked audience was eager to hear Elvis sing. They had traveled several miles, waited for hours and paid for an Elvis-concert, and the main attraction left the stage! Elvis tries to repair by singing 'Hurt', 'Hound Dog' and 'Help Me'.

However, Elvis obviously noticed the lack of excitement from the audience, and almost helplessly ask "What do you wanna hear?". This leads to a very impressive version of 'Unchained Melody'" (quasi a miracle when you know how bad he is since the beginning of the show...). Then, he trash 'Blue Suede Shoes' the way he use to do it these days. He tries 'The Wonder Of You' but is virtually unable to go further than the first verse, and stop the song immediately (you can hear the crowd disappointment, wondering if Elvis is completely out of it or not). He did two more numbers, apologize for having left the stage once again, and close this disturbed and disturbing show for good this time.

Contrary to a numbers of rumors and press reports: Elvis did not collapse at all, he simply left the stage. The audience was wild from the beginning to the end of the show; they never started booing or anything. They support the King with the extravaganza they use us to: screaming loud, clapping, etc.

On the opposite, what we can confirm is that, indeed, the King was at the end of his journey, and it is a tragic sight sometimes, because, even with the sound, we can hear the state in which he is, and it is heartbreaking. A wreck of the pre-eminent artist he was, erasing his past with no respect for himself at all, just dying live and that's all. That's nonsense. Why did the professional surrounding and friends never stop this vicious circle? Why hasn't anybody around Elvis called the Colonel and told him that Elvis wasn't going to perform anymore, that he needed rest. Or a holiday in a straightening center, something like the Betty Ford Clinic or else. A drastic change in his career, good songs, top-notch producers, strong albums, a world tour, anything! At least a temptation to escape from this nightmare of endless tours criss-crossing the States with an Elvis who has become the shadow of his former self. Where you'd saw, only two years back, powerful energy, terrific voice and absolute charisma without any pretense, now had become pain, loneliness, fall, weight gain and drug abuse. Shame on them, shame on Elvis too. Things like that mess in Baltimore hurts. Even deeper if it's from an entertainer we all consider as the greatest, as a lovable man and as a good human person.

# Note: "A physically and artistically subpar Elvis Presley walked out on a strange concert performance for half an hour here Sunday night (29), but eventually returned. A Civic Center spokesman attributed the vet rock and roll singers murmuring, swearing and unscheduled haitus to the reported intestinal problems that had kayoed Presley from an earlier portion of this tour. After the break Presley came on like gangbusters as he politely and apologetically tried to recoup his losses. He succeeded to the extent that only a handful asked for refunds but at the finale there was no ovation, and patrons exited shaking their heads and speculating what was wrong with him."... By Marty Bennet, Variety, May 1977.

http://home.online.no/~ov-egela/boots75.html

-ELVIS...BY BONO

ELVIS : AMERICAN DAVID
elvis son of tupelo.
elvis mama's boy.
elvis the twin brother of Jesse who died at birth and was buried in a shoe box.
elvis drove a truck.
elvis was recorded at sun studios by the musical diviner sam phillips.
elvis was managed by colonel tom parker, an ex-carnie barker whose last act was a singing canary.
elvis was the most famous singer in the world since king david.
elvis lived on his own street.
elvis liked to play speed cop.
elvis had a monkey named scatter before anyone.
elvis wore a cape at the white house when he was presenting nixon with two silver pistols.
elvis was a member of the drug squad.
elvis wore eye make up, just hangin' out.
elvis wore a gold nudie suit and trained his lip to curl.
elvis was macho, but could sing like a girl.
elvis was not a big talker.
elvis was articulate in every other way.
elvis dyed his hair black to look like valentino.
elvis held a microphone the way valentino held nitanaldi in blood and sand.
elvis dressed black long before he dressed in black.
elvis sang black except in lower registers where he was a student of dean martin.
elvis admired mario lanza.
elvis delivered the world from crooning.
elvis was a great crooner.
elvis had a voice that could explain the sexuality of america.
elvis was influenced by jim morrison in his choice of black leather for the '68 comeback special.
elvis invented the beatles.
elvis achieved world domination from a small town.
elvis was conscious of myth.
elvis had pharoah-like potential.
elvis was made by america, so america could remake itself.
elvis had good manners.
elvis was a bass, a baritone, and a tenor.
elvis sang his heart out at the end.
elvis the opera singer.
elvis the soap opera.
elvis loved america, God, the bible, firearms, the movies, the office of presidency, junk food, drugs, cars, family,television, jewellery, straight talkin', dirty talkin' gameshows, uniforms, and self-help books.
elvis like america, wanted to improve himself.
elvis like america, started out loving but later turned on himself.
elvis body could not stop moving.
elvis is alive, we're dead.
elvis the charismatic.
elvis the ecstatic.
elvis the plastic, elvis the elastic with a spastic dance that might explain the energy of america.
elvis fusion and confusion.
elvis earth rod in a southern dorm.
elvis shaking up an electrical storm.
elvis in hollywood his voice gone to ground.
elvis in las vegas with a big brassy sound.
elvis the first rock'n'roll star with scotty moore, bill black, and d.j. fontana.
elvis with james burton and ronny tutt.
elvis the movie star made three good films : viva las vegas,flaming star, and jailhouse rock.
elvis the hillbilly brought rhythm to the white race,blues to pop, and rock'n'roll to where ever rock'n'roll is.
elvis the pelvis, swung from africa to europe, which is the idea of america.
elvis liberation.
elvis the kung fu would come later.
elvis hibernation.
elvis built a theme park he later called Graceland.
elvis woke up to whispers.
elvis thought of himself as a backslider.
elvis knew guilt like a twin brother.
elvis called God every morning then left the phone off the hook.
elvis turned las vegas into a church when he sang "love me tender".
elvis turned america into a church when he sang "the trilogy".
elvis was harangued by choice;flesh vs. spirit, God vs. rock'n'roll mother vs. lover,father vs. the colonel.
elvis grew sideburns as a protest against tom jones'hairy chest.
elvis would have a president named after him.
elvis was one of the boys.
elvis was not one of the boys.
elvis had an acute intelligence disguised as talent.
elvis broke pirscilla's heart.
elvis broke lisa marie's heart.
elvis woke up my heart.
elvis white trash.
elvis the memphis flash.
elvis didn't smoke hash and woulda been a sissy without johnny cash.
elvis didn't dodge the draft.
elvis had his own aircraft.
elvis having a laugh on the lisa marie in a colour photograph.
elvis under the hood.
elvis cadillac blood.
elvis darling bud flowered and returned to the mississippi mud.
elvis ain't gonna rot.
elvis in a memphis plot.
elvis didn't hear the shot but the king died just across the lot from.
elvis vanilla ice cream.
elvis girls of 14.
elvis memphis spleen shooting at the tv reading corinthians 13.
elvis with God on his knees.
elvis on three tvs.
elvis here come the killer bees head full of honey,potato chips and cheese.
elvis the bumper stickers.
elvis the white knickers.
elvis the white nigger ate at burger king and just kept getting bigger.
elvis sang to win.
elvis the battle to be slim.
elvis ate america before america ate him.
elvis stamps,elvis necromance.
elvis fans,elvisp sychphants.
elvis the public enemy.
elvis don't mean shit to chucked.
elvis changed the centre of gravity.
elvis made it slippy.
elvis hitler,elvis nixon,elvis christ, elvis mishima.
elvis marcus, elvis jackson, elvis the pelvis.
elvis the psalmist,elvis the genius, elvis the generous.
elvis forgive us.
elvis pray for us
elvis aaron presley(1935-1977)

Bono 1995

-ELVIS' CARS

Elvis bought A LOT of cars in his life.

Among them he had four Stutzes.He bought them in 1971,1972,1973 and 1974.

He eventually bought five; he gave two away as special presents.

Elvis Presley's first Stutz was the very first car Stutz ever sold. It was a 1971 prototype.

Mr. James D. O'Donnell bought on October, 1st, 1968 the Pontiac Grand Prix, that was converted to the very first "New ".

Elvis wanted to see the car, so they made an appointment. When Jules Meyers came to Elvis' home, Presley wanted to have the car, so Meyers told Elvis that there will happen a car show, in a couple of days, and that he will need the car to show it. It was O.K. with Elvis, so the car was sold, and Meyers was able to show the car at the local car show. Elvis agreed also to take some press-pictures with him and the car, good for publicity.

Initially selling for $22,000 the Stutz quickly became one of the most expensive cars in the world with a Blackhawk selling in $60-70,000 range by the mid seventies. A Royale limousine would set you back $200,000
(www.madle.org)

-ELVIS IN CANADA

Toronto,Canada April 2nd 1957
By The Toronto Star

23 000 See Elvis. Late Show 15 000.

Crowds estimated at 8,000 and 15,000 persons jammed Maple Leaf Gardens last night as Elvis Presley gave his first and second Canadian shows. Col. Tom Parker, Presley's manager, said the second-show crowd was the largest Presley has ever faced in a personal appearance. I think Toronto audiences are terrific,' Col. Parker said.

But if the Toronto audience was the largest Elvis has ever faced, to all reports it was also one of the quietest and best-behaved audiences ever to watch Elvis in action. Members of the troupe said the whooping and hollering and shenanigans just didn't compare to what they had seen in other cities. However, they gave part of the credit for this to the 90 special constables on duty and to the alert Gardens' staff. Whenever a youngster bounced up in his seat a policeman would reach over and plunk him down again. This sometimes gave the Gardens the appearance of a large jack-in-the-box, but it seemed to have the desired effect. Two women fans were ejected late in the second performance when they tried to break through 20 policemen and as many Maple Leaf Gardens' attendants to reach the stage. Frankie Trent, who leads off th Presley show with a tapdance routine said he had heard a lot more heck ling than was usual in most towns.'But the kids didn't screech and run around as much as they did in other places,' he said.

Same Everywhere
Elvis himself didn't notice anything different about Toronto teenagers. "Teenagers are the same everywhere," was his only comment, but although Toronto teenager may have been quieter and better behaved than teenagers elsewhere, they managed to disappoint anyone who came to hear Elvis sing.

From the time Elvis, dressed in his all-gold suit, walked on stage and smiled until he gave his last bump nearly an hour later, nearly every teenager in the place screeched, at the top of his lungs. Despite a good public address system Elvis managed to get across only the occasional note that the audience could hear. However, this didn't seem to matter to most of these present.Every time Elvis reached out his arm in one direction or turned to smile in another, all the crowd in that section would screech with ecstasy. One girl got out of her seat and ran down the aisle. Col. Parker and a few policemen pulled her away as she tried to clamber onstage and touch Elvis.

Busy With Cameras
About one-third of those present had flash cameras and each time Elvis made a slight turn that side of the auditorium would light up as hundreds of flashbulbs went off. The show's manager told the crowd they could take as many pictures as they liked and no one needed a further invitation. When Presley made his first appearance on stage the lights were dimmed. But so many flash-cameras went off at once that one could see clearly even in the grays.
Throughout the show flash after flash went off. About the only thing comparable to this seen in the Gardens is the matchlight demonstration at a rodeo when everyone present is asked to light a match in memory of cowboys who have gone to the last round-up.

Noise Was Deafening
Clean-up men trundled away several boxes full of flashbulbs between the first and second shows.The noise, too, was deafening from start to finish. During the first show when Josh King, local disc jockey, first announced Elvis was coming, the audience hollered for about 30 straight seconds. At this point, an attendant rushed up on stage and quieted the crowd. 'Elvis isn't coming yet,' he said. 'Elvis doesn't think you're making enough noise.'
Somewhat surprised, the crowd seemed determined to prove that their lungs were capable of even louder noises. They thereupon screeched for a full two minutes.Apparently the word got around between shows for the second show audience needed no second invitation. They screamed for the full hour that Elvis was on stage. Although television cameras cut Elvis off at the waist when he appeared on the Ed Sullivan show Presley himself appears to have no qualms about making gyrations when he's doing a live show.

Tenor is Booed
Although the crowd didn't seem to appreciate most of the acts that took up the first part of the Presley show, even booing Irish tenor Frankie Connors, Elvis is actually backed by a good rock-and-roll type show. The Jordanaires, who back Presley in his 'Peace In The Valley' record and also backed Sonny James' popular 'Young Love,' received second top billing.The quartet, the only other number to get a really good audience reaction, consists of Hugh Jarret, Gordon Stoker, Neil Matthews and Hoyt Hawkins. They sang hit tunes, 'Party Doll,' 'Young Love,' and their record not yet released in Canada, 'Walk Away.' They also provide musical background for Elvis' gyrations on stage.
Other numbers on the show include Frankie Trent, who tap dances rock-and-roll; Pat Kelly, an attractive blonde who hustles on and off stopping long enough to sing 'I Dreamed;' Jimmy James, who plays the banjo; and comic Rex Marlowe.
Marlowe, who does an imitation of a lady doffing a girdle ('That's how they invented rock-and-roll') also appeared to draw few laughs from the crowd.A noticeable absence from the evening's performance was Presley's popular 'Blue Suede Shoes.' 'I have five pair of blue suede shoes at home but I never wear them,' said Elvis. 'That kind of thing gets worn out after a while,' he admitted.

Originally published in “ The Toronto Star “ on April 3rd 1957.

-HEARTBREAK HOTEL...

Mae Axton was co-writer with Tommy Durden of Heartbreak Hotel. In November 1955 in Nashville, she played a demo of Heartbreak Hotel sung by Glenn Reeves for Elvis in her suite. Durden was a steel guitar player with the Johnny Tillotson's band. While reading the Miami Herald on day in 1955 he ran across the photograph of a suicide victim whose identity was a mystery. The headline asked, “Do you know the man?” In the dead man's left hand was a note that read. “I walk a lonely street” which inspired Durden and Axton to compose Heartbreak Hotel. There was a real historic hotel in Florida named the Heartbreak Hotel which also may have inspired Durden to compose the song. The two of them wrote the song in about 20 minutes and Glen Reeves was called to record the demo. After hearing the demo Elvis was ecstatic and promised Axton that he would record the song the time he was in the recording studio. Elvis recorded Heartbreak Hotel on January 10, 1956 at RCA's Nashville studio. Instrumental backing was provided by Scotty Moore (guitar) Floyd Cramer (piano) Bill Black (bass) and DJ Fontana on drums. Heartbreak Hotel was released on 27 January 1956 it become a national number one hit and stayed there for seven weeks

-1977 CBS TV SPECIAL

After the Aloha show Elvis quickly returned to his old routine, Vegas and concert tours, of course no fan ever complained with the King visiting each and everyone’s own home town!, over and over…This was of course numbing for Elvis himself, who always performed magic whenever challenged, but the later years were, sadly so, on automatic pilot for the most time. But artistic creativity or not, major changes or not, Elvis always remained Elvis, the greatest of them all, the sheer mention of his name send fans into raptures. I mean, he was the only artist ever who had the sheer guts to soak scarves with his own sweat over which females fought. HE was the one who came on stage cloaked in the music of Richard Strauss’ Also Sprach Zarathustra, the God Theme and people went crazy. Let’s face it there never was one like him before and there will probably never be one like him ever again.
However, way back in 1977, things were a bit different, Elvis was deadly tired, he’d performed almost non stop for 8 years and things looked bleak, very bleak. At the end of 1976 Elvis looked rivigorated during his late December tour, with the highlight of course being his legendary New Year’s Eve Show in Pittsburgh. Elvis gave one of THE greatest performances of his life and let no one fool you by tellling you he wasn’t that great that night compared to any 1970 performance, because he WAS great, singing for about 90 minutes and in a way like it seemed he was doing it for his own pleasure, and in part he always did of course. He hit notes that could cause a mild hernia wrote one of the reporters attending the concert, and how right he was. Unchained Melody, Hurt, Rags To Riches and so many more were sung with such an intensity that was almost frightening, man could he sing….

The February and spring tours of 1977 were somewhat disappointing compared to the December frenzy, there are many shows available in the import scene and even the latest Follow That Dream CD didn’t prove anything otherwise. He sounded tired, very tired for the most part, he was a very sick man and it started to show. In this light what he did for his last TV show was so unbelievable, it must have cost him every ounce of courage and willpower to deliver one of his greatest concerts ever, I am of course talking about the Rapid City, June 21, 1977 show..….
What caused the Colonel to allow Elvis to be filmed that final time is open to suggestion. They did need the money desperately, Elvis needed a challenge, his records could use a boost. Whatever his motivation, the Colonel began discussions with CBS in early 1977 to do a TV show. He didn’t want NBC anymore as they hadn’t come up with a follow up to the Aloha show so this time CBS could try to sell it to the Colonel. They were very eager to do this special and came up with $750.000 dollars for the privilage. They also produced two of their top directors, Gary Smith and Dwight Hemion. Annette Wolfe did all the interviews with fans and fanclub bosses. On June 1, the CBS special was announced, it had of course taken months to set up the deal and Colonel Parker had months before organized that Todd Slaughter, the UK fanclub boss would take a couple of hundred fans to see two of the shows on that tour.
The producers originally wanted to film three shows, Omaha, Lincoln and Rapid City. The auditorium manager in Lincoln however, protested when he saw what kind of space the cameras took up. He was afraid a lot of fans wouldn’t be able so get a clear view of the stage. So ONLY 2 show were filmed in full, however, there’s more, we’ll get to that later…

The special was really no reflection of these two concerts, there weren’t enough songs included to begin with, there was no real sense of a concert as interviews(with sometimes very strange people indeed) kept interrupting the program, and they ‘forgot’ to include any candid footage. Some critic stated that it ‘’looked like Elvis was a guest on his own show’’. They should have included some showstoppers like Tryin’ To Get To You, It’s Now Or Never and Unchained Melody.
Only a few outtakes crept up from time to time, with the complete Are You Lonesome Tonight from Rapid City in This Is Elvis, Love Me from Omaha(excellent choice-not) on the extended This Is Elvis version from 1983 and Unchained Melody on the Great Performances vol. 1 from 1990.
In 1999 suddenly a black and white tape popped up featuring the bigger part of the Rapid City performance and what a joy it was to see the undoctored performance with a joking Elvis ‘bit my tongue’ and some outstanding songs like Tryin’ To Get To You, It's now Or Never and Hawaiian Wedding Song. We had the songs on record but now were finally able to also see him sing them. What a treat. Then a couple of months later the same performance came in color and even the complete Omaha show appeared in color. Now we could see that Elvis was in much better shape in Rapid City. In Omaha Elvis seemed to be singing on automatic pilot, he sang okay but there wasn’t the edge that was on June 21. Rumor has it that Elvis performed with painkillers in Omaha and with uppers in Rapid City, I cannot verify any of this but the difference in the man was obvious. Even Gary Smith said that when he saw Elvis in Rapid City after haven seen him in Omaha he said that it looked like he had lost 10 pounds.
On the outtakes videos we finally got a glimpse of Elvis backstage. We see him arrive in Rapid City stepping out of his limo clad in a track suit complete with high collared shirt and shades, he walks by the camera and says ‘’Oh, hi there!’’, quickly moving towards the dressing rooms. He’s surrounded by people like Joe Esposito, Dick Grob, Sam Thompson, AL Strada, Dean Nichopoulos, Ricky Stanley, Ed Parker and some more. After that we see Elvis with mayor Lacroix and little Monique Brave, a local Sioux Indian girl who presents Elvis with a medal of long life, how ironic. Although only lasting about 2 minutes we get to see a rare glimpse into the personal life of the man. He’s very gracious to the mayor and very kind to the little girl, she gets a kiss and a photo of the meeting!

For the 2 shows Elvis wore the beautiful Sundial Jumpsuit, this particular suit was made in 1974 and Elvis wore it for the first time in Lake Tahoe 1974. He suddenly started wearing it again in 1977. Now a lot of rumors float around concerning this suit, it’s said it wasn’t the same one as in ’74, that a replica was made and also the rumor that 2 copies existed, which makes sense as he was wearing the same suit every night during his last tour, with the exception being Kansas City, June 18, when he wore the King Of Spades suit. Originally Elvis was to have worn a complete new jumpsuit but the one that was being manufactured at the time kept needing refitting as it wouldn’t fit the man. Elvis at that time no longer tried on the suits first. The tailors had to guess his measurements. So as that fell through he reverted to the Sundial.

How did Elvis himself feel about this special!? Was he concerned about his appearance or not. According to Elvis’ friend and bodyguard Ed Parker, Elvis had said that he knew he looked terrible. According to other sources Elvis was glad to be on tv again, and that his fans would be able to see him. All we can see is that during the Rapid City performance Elvis LOOKED happy and up for it. It was also obvious he wasn’t moving around as easily but the voice was there, boy was it there! His renditions of Tryin’ To Get To You, Now Or Never, Hurt and Unchained Melody send shivers down your spine. And Hound Dog gets a rocking treatment it rarely got anymore. Just compare the latter song to the Aloha version. Need I say more, the 1977 version beats the crap out of the 1973 one. Also it’s been said that Elvis’ voice was slipping, now I’m very sorry but I just can’t hear it at this particular show. Just exactly where does it slip, each song gets the royal treatment. His voice just kept getting richer and richer. Just listen to Hawaiian Wedding Song, pure bliss…
Now I’ll face some rumors. As far back as 1977 fans who had been to the Cincinnati show stated that they saw cameras in the auditorium. I have personally spoken to 2 fans who were there and they DID see them, stationary cameras fixed at the stage Elvis was on. And although no paper work has surfaced supporting this claim, it is very well possible as most directors have the tendancy to overshoot, they don’t want to be short of some shots when they start editing, so yes there must be footage of at least one other concert! Then there is definitely more backstage footage of Elvis talking with his dad, make up being applied and even some footage of Elvis putting on his jumpsuit with Elvis heisting it over his shoulder, this footage will blow our minds when and if it finally emerges. But make no mistake, it IS there. There’s also about twenty minutes of footage left of Elvis standing at Indianaplis Airport, June 26. We have some clips in In Concert, The Great Performances, Elvis’ Graceland and the UK fanclub put about a minute’s worth of this footage on their 1984 fan club video of their visit to the US. Todd Slaughter would present Elvis with a trophy and Elvis in turn would give one to Todd. Todd paid off a local camera man to film their meeting.
But perhaps the strangest clip of this meeting I have is about 5 seconds and comes from a local tv station in Indianapolis!!! You can make out some name underneath but alas the quality is too poor to properly read it. But is goes to show that footage WAS shown on local television! Hey mr. archivist start searching….The strangest and most persistent rumor, be it in a very small circle, is an interview that was to have been filmed at Graceland with Elvis sitting by the swimming pool and fooling around with little Lisa Marie. Now how’s that for a shake up. A camera crew did go to Graceland following the concert tour as can be seen in the original special with Vernon walking around the premises. Now one might wonder why this footage hasn’t aired yet if it exists, but then again the backstage footage of Rapid City hasn’t seen an official release either has it, heck even the original special hasn’t been released!!! Don’t forget the Estate has no desire to project ANY image later than 1973, 1974. The want to protect his image and all that jive, to me personally Elvis was more candid and genuine in 1977 than ever before but that’s my opinion. He was somehow stripped of most of the glamour and yet he shone more brightly than ever, why, because he had such an unbelievable charisma and presence, I feel that the Estate sometimes forget this.

What’s interesting is the fact that CBS had decided to film some more shows on Elvis’ August tour starting in Portland, Maine. If Elvis had lived, the June shows probably would never have been shown at all!
Then what’s left is the question whether Elvis himself ever got to see the special. No evidence exists if he saw the actual special, but what he DID see were the raw video tapes of the shows and the backstage footage. He was handed some copies by Gary Smith himself after the tour, probably when they did the filming at Graceland later that summer. How do we know this, well, Elvis in turn handed his own copies over to his good friend Janelle McComb, while saying that she could have them as he had no use for it...
On October 3, 1977 the CBS special was shown on US tv
2002/07/23 Simon de Wit / EpGold.Com